
Chiwetel Ejiofor stars as Solomon Northup, the New York State citizen who was kidnapped and made to work on a plantation in New Orleans in the 1800s. Steve McQueen (Hunger) directs from a script he co-wrote with John Ridley, based in part by Northup's memoir. Michael Fassbender, Brad Pitt, Benedict Cumberbatch, Sarah Paulson, and Paul Giamatti co-star. ~ Jeremy Wheeler, Rovi
About 12 Years A Slave
Artist : Chiwetel Ejiofor, Dwight Henry, Dickie Gravois, Bryan Batt, Ashley DykeAs : Solomon Northup, Uncle Abram, Overseer, Judge Turner
Title : 12 Years A Slave Trailer Full Movie
Release date : 2013-10-18
Movie Code : 2024544
Duration : 134
Category : Biography, Drama
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Comment For 12 Years A Slave Full Movie Cz
It is a film that necessity and education demand seeing.
It provokes recognition in us of the very heart of darkness. It makes the unimaginable imaginable.
Brave performances throughout this magnificent film.
McQueen doesn't go in for a lot of flash edits or self-conscious visual flourishes to put viewers at ease; rather, he invites the audience to sit with him as he gazes, amazed, at man's inhumanity to man .
"12 Years a Slave" isn't easy to watch, and it shouldn't be; it's one man's tragedy, but it's also the tragedy of countless thousands of souls beaten down, literally and metaphorically.
The harrowing 12 Years a Slave is a mesmerizing period drama for the ages.
This epic account of an unbreakable soul makes even Scarlett O'Hara's struggles seem petty by comparison.
Every scene of 12 Years a Slave, and almost every shot, conveys some penetrating truth about America's original sin.
Steve McQueen's 12 Years a Slave, written by John Ridley and starring Chiwetel Ejiofor, is a necessary corrective to the antics of Django Unchained, not to mention Mandingo and its ilk.
Slavery is revealed for the unrelenting horror that it was. About time.
Channeling the evils of human bondage through the experiences of one weary figure, McQueen has constructed another intensely physical character study about a man trapped in his own flesh.
This is not medicine for America to swallow; it's filmmaking of the highest caliber.
It speaks to the courage and resilience of one man, the savagery of many, and the potential, for both good and for ill, in us all.
When a director who never ever blinks takes on a horrific subject, a nightmare in broad daylight is the inevitable result. Welcome, if that is the right word, to the world of 12 Years a Slave.
Remarkable.
It's not too soon to call 12 Years a Slave a great film-ruined, tremulously sad, surreal in its evil.
"12 Years a Slave" lays out an institution so twisted and wrong that its honest portrayal has been avoided for centuries. Yes, it's dark and brutal. It needs to be.
12 Years a Slave is a movie about a life that gets taken away, and that's why it lets us touch what life is.
Northup's story was a true, terrible thing, and by virtue of telling it, the burdens of all American slaves are unflinchingly realized by Ejiofor and McQueen alike.
A film this good, and this quietly distinctive in its style, is always welcome.
12 Years a Slave is at times difficult to watch but always impossible to turn away from.
The film offers a formidable indictment of the cruelty of which human beings are capable.
So overpowering is this film's simple, horrible, and almost entirely true story that it's hard to get enough distance on 12 Years a Slave to poke at its inner workings.
McQueen and Ridley seem determined to obliterate any lingering Gone With the Wind-inspired notions that the antebellum South was a place of grace and charm, or that slavery was, in the euphemism of the day, merely a "peculiar institution."
Other movies and books have gone here, but few so far and with such overwhelming clarity of purpose.
It is Ejiofor - bewildered, sorely tested, morally towering - whose staggered dignity anchors the film.
The film is both brutal to watch and stunning to contemplate, powerfully challenging audiences - particularly white audiences - to examine their consciences.
You won't be able to tuck this powder keg in the corner of your mind and forget it. What we have here is a blistering, brilliant, straight-up classic.
Aside from a characteristically nuanced lead performance by Chiwetel Ejiofor. it's a picture that stays more than a few safe steps away from anything so dangerous as raw feeling.
12 Years a Slave is easily the greatest feature film ever made about American slavery.
One of the best and most courageous films of the year.
12 Years a Slave, British director Steve McQueen's antebellum Southern drama, sets a new standard in realistically depicting American slavery.
A brutally powerful and emotionally devastating film that takes great pains to rip any lingering vestiges of romanticism from America's most shameful institution.
But the much talked-about 12 Years a Slave is more than a beautifully shot art piece. It's history made violently real.
The cumulative emotional effect is devastating: the final scenes are as angry, as memorable, as overwhelming as anything modern cinema has to offer.
In the epic form of 12 Years a Slave, his most approachable, emotional film, McQueen escalates the tension.
It seems certain to transcend the movie realm and become a new reference point in contemporary culture-a defining vision of what slavery looked like, and felt like, in the U.S. before the Civil War.
The power of McQueen's movie is in its declaratory style: This happened. That is all, and that is everything.
Slavery here is not only a great moral darkness but a sweeping canvas for depicting the emotional deformities of the people who enforced and exploited the practice.
Believe the Oscar buzz. Britain's Steve McQueen (Hunger, Shame) nails the horror of America's slavery shame but also finds humanity in one man's determination to free himself and return to his family.
12 Years a Slave is likely the most painful, clear-eyed feature ever made about American slavery. In that light, it almost seems faint praise to add that it will also likely prove to be the best film of the year.
"12 Years a Slave" works on so many levels - some topical, some timeless - that it's almost impossible to count them.
A harrowing, unforgettable drama that doesn't look away from the reality of slavery and, in so doing, helps us all fully, truly confront it.
It's smashingly effective as melodrama. But McQueen's directorial voice-cold, stark, deterministic-keeps it from attaining the kind of grace that marks the voice of a true film artist.
A strong, involving, at times overstated telling of an extraordinary life story.
"12 Years a Slave" offers no false Hollywood catharsis along with its muted happy ending, because we're not free from the curse of slavery yet. Looking at it, as it really was, is a start.
The genius of 12 Years a Slave is its insistence on banal evil, and on terror, that seeped into souls, bound bodies and reaped an enduring, terrible price.
If the best films hold you in a captive vise, entertain you, keep you spellbound and teach you something at the same time, then 12 Years a Slave is outstanding-brave, courageous and unforgettable.
The film truly belongs to Ejiofor, whose big, soulful eyes seem to register so many things at once: Shock, pain, grit, determination, abject despair at times, cautious hope at others - and always, dignity.
One of the finest historical movies ever made.
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